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Did Lennon do the sanding down himself? Or take it somewhere to have it refinished. Was a poly coat put on after sanding? I have been told that Sean Lennon has said he did it himself - he must have heard that from his Mom.
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It is said that he stripped and sanded his sunbursed 66 Epi Casino down to the bare wood and took off the pickguard but never brushed on any protection Laq.
Satin coat on it. Some say he did. Sean Lennon said he did not. They are 10s and Round Wounds, although he did like flat wounds on most of his guitars.
Paul McCartney used the same on his JE.
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Epiphone Inspired By John Lennon Casino Description
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They allow you to make bets that actually cost nothing to you, and save your gaming bill. Did Lennon do the sanding down himself?
Or take it somewhere to have it refinished. Was a poly coat put on after sanding? I have been told that Sean Lennon has said he did it himself - he must have heard that from his Mom.
Just jumped into the exhilarating content. This is really very attention drawing job done here on this page.
As a music and sports lover I really enjoyed this so much entertaining post. Simple love such kind of contribution. Does anyone know what size they were?
I am surprised that I cannot find the answer online. It is said that he stripped and sanded his sunbursed 66 Epi Casino down to the bare wood and took off the pickguard but never brushed on any protection Laq.
Satin coat on it. Some say he did. A nickel-covered trapeze-style tailpiece, as seen on the ES, and a twin-pillar-mounted tune-o-matic bridge complete the hardware.
Surprisingly, the only visual clue to its famed user is a small and subtle gold signature on the back of the long, 'moustache'-topped headstock.
Starting our sound test with a modest amount of overdrive and using our Chinese-made Casino for comparison the Lennon has a wonderfully mellow, airy tone that really fills out a band's sound and is synonymous with this hollowbody design.
It's different to the classic ES centre-blocked design, which lends itself to more pumped-up rhythm tones. The American pickups sound notably different to those on the standard Casino, letting the natural acoustic and percussive resonance shine through, bolstering the character and charm of the hollow design.
The bridge P is both angular and sprightly, and does those cutting BB King-style solos with seeming aplomb. Alongside this, the middle and neck positions offer open and expressive jazz and blues-rhythm tones that some of the greats, such as Grant Green for example, built their careers on.
The key to the Beatles tone is in the volume control. Setting your sound with a little more gain and dialling down the guitar's volume changes the character of the Casino.
Here, you'll find that acoustic quack and clean bite needed to pull off the kind of tone found on the opening of Taxman - be careful though, due to its hollow construction it will feed back a fair bit, so be wary of your amp's volume and the amount of gain used.
Overall, this 'Inspired By' Casino has that vintage-like tone down to a tee and is wonderfully musical. In comparison, the far cheaper standard Chinese-made Casino lacks the charm and charisma of the 'Inspired By' model - both tonally and visually.
In general, artist edition guitars seem to be getting increasingly expensive, so it's nice to see Epiphone taking a more affordable tack with this Casino.
By adding subtle vintage aesthetics that really capture the essence of the original and employing quality American upgrades, it's a superior package than the standard Casino and way more affordable than the previous USA model.
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